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Showing posts with label Traditional. Show all posts
Showing posts with label Traditional. Show all posts

Wednesday, February 3, 2010

Dangerous Art Of Fire Dancing

Fire is the rapid oxidation of a combustible material (and/or substance) releasing heat, light, and various reaction products such as carbon dioxide and water. If hot enough, the gases may become ionized to produce plasma.Depending on the substances alight, and any impurities outside, the color of the flame and the fire's intensity might vary. Fire in its most common form can result in conflagration, which has the potential to cause physical damage through burning and can occasionally result in a phase transition in the affected mass if the temperature of the flame is hot enough.

Dangerous Art Of Fire Dancing

Dangerous Art Of Fire Dancing

Dangerous Art Of Fire Dancing
Fire dancing (also known as "fire twirling," "fire spinning," "fire performance," or "fire manipulation") is a group of performance arts or disciplines that involve manipulation of objects on fire. Typically these objects have one or more bundles of wicking, which are soaked in fuel and ignited.

Some of these disciplines are related to juggling or baton twirling (both forms of object manipulation), and there is also an affinity between fire dancing and rhythmic gymnastics. Firedancing is often performed to music. Fire dancing has been a traditional part of cultures from around the world, and modern fire performance often includes visual and stylistic elements from many traditions.However, the mother country of this kind of art is considered to be Bulgaria, East Europe. Fire dancing was part of the proto- Bulgarian traditions and celebrations of births and deaths. Only the virgins were allowed to play with fire, because for the proto- Bulgarians fire symbolized innocence, beauty and perfection.

Fire dancing is a very dangerous performance art, and fire safety precautions should always be taken.
Dangerous Art Of Fire Dancing

Dangerous Art Of Fire Dancing

Dangerous Art Of Fire Dancing
The various tools used by the fire performance community borrow from a variety of sources. many have martial sources like swords, staves, poi, and whips, where some seem specifically designed for the fire community. The use of these tools are limited only by the imaginations of their users. Some tools lend themselves to rhythmic swinging and twirling, others to martial kata, and others to more subtle use. Some common tools are:

* Poi - A pair of roughly arm-length chains with handles attached to one end, and bundle of wicking material on the other.
* Staff - A rod of wood or metal, with wicking material applied to one, or both ends. Staves are generally used in pairs or individually, though many performers are now experimenting with three or more staves.
* Fire hoop - hoop with spokes and wicking material attached.
* Fans - A large metal fan with one or more wicks attached to the edges.
* Fire umbrella - an umbrella that has the cloth removed, with kevlar tips.
* Fire meteor - A long length of chain or rope with wicks, or small bowls of liquid fuel, attached to both ends.
* Nunchaku - Nunchaku with wicking material, usually at either end.
* Batons
* Diabolo
* Fire stick - Like a traditional devil stick, with wicks on both ends of the center stick.
* Torch - A short club or torch, with a wick on one end, and swung like Indian clubs or tossed end-over-end like juggling clubs.
* Fire-knives - Short staves with blades attached to the ends and wicking material applied to the blade. Fireknives are the traditional Polynesian fire implement and have been in use since the 1940s.
* Fire rope dart - A wick, sometimes wrapped around a steel spike, at the end of a rope or chain ranging from 6-15 feet long, with a ring or other handle on the opposite end.
* Fire sword - either a real sword modified for fire, or one specifically built for the purpose of fire shows.
* Chi ball - 2 rings or handles with a wick attached between them by a thin wire.
* Finger wands - Short torches attached to individual fingers.
* Palm torches - Small torches with a flat base meant to be held upright in the palm of the hand.
* Fire whips - Lengths of braided aramid fiber tapered to make a bullwhip, usually with a metal handle about 12 inches long.
* Jumblymambas - a triple ended fire object for juggling, twirling and manipulation
* Fire poofer - a propane flame effect device

The variety of available tools took a sharp swing upwards in 2000, and as the numbers of dedicated fire tool makers increase, many makers add their own ingenuity to the art and expand the performance potential even more. Frequently, new tools appear from home tinkering and enter the public domain after a few performances.

Dangerous Art Of Fire Dancing

For More Images : Amazing Art Of Fire Dancing

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Thursday, January 28, 2010

Japanese Blood Shed Neon Lamp Fights

You have to hand it to the Japanese, they know violence sells and they market it like no other country can.

But this has to be the dumbest sport in history, two fat guys pounding each other with neon-rods until they’re both soaked in blood? I have no idea what this sport is called or who came up with the idea, but apparently it’s very popular in the Land of the Rising Sun, despite it’s obvious stupidity. I’d rather watch some K1 or UFC any day, this is just like wrestling only with real blood.

I wonder if those lamps are mercury free…if they’re not, do the fat guys know they could die from mercury poisoning?
Japanese Blood Shed Neon Lamp Fights

Japanese Blood Shed Neon Lamp Fights

Japanese Blood Shed Neon Lamp Fights

Japanese Blood Shed Neon Lamp Fights

Japanese Blood Shed Neon Lamp Fights

Japanese Blood Shed Neon Lamp Fights

Japanese Blood Shed Neon Lamp Fights


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Wednesday, January 27, 2010

Traditional Bloody Boxing In Nigeria

Since the 1950s, Nigerian boxers have held their own (and often far better than their own) in international boxing competition. Examples include Hogan "Kid" Bassey (born Okon Bassey Asuquo), who won the world featherweight championship in 1957, and Dick Tiger (born Richard Ihetu), who won a succession of middleweight and light heavyweight boxing titles between 1962 and 1966.

Such success may be due in part to the role that indigenous boxing and wrestling plays in the culture of this West African nation. One such art is Dambe, a traditional pugilistic game of the Hausa people of the Saharan regions of West Africa. In Northern Nigeria, for example, Ado Dan Kware, Dan Dunawa "Gundumi", Ali Zuma, Balbalin Bala I, and especially "Shago," the most famous Dambe athlete of all time, are athletic heroes -- and for good reason. Dambe is an especially rugged striking art utilizing fists, feet, and head. Occasionally a fist covering has been dipped in ground glass, and damben karfe continues to be practiced, albeit illegally. (Damben karfe means "iron boxing" and refers to its hand-held punching implement, a mazagi, shaped roughly like a small trowel protruding from the striking hand.)





















The origins of Dambe are lost in antiquity, but its most thorough historian (in English), Edward Powe, notes that "the single bound fist and salute in dambe… bears a remarkable resemblance" to images of Egyptian boxers of the Classical period. Yet, despite this potentially venerable history, Dambe is virtually unknown outside continental Africa. Soon this will change, if Carambe Jarimi (born Ibrahim Yahuza) has anything to say about it. [EN1] Carambe's goal is to bring Hausa pugilism to the world, and he approaches the task with evangelical zeal.
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